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GLINT 2024: Glisten

October 25, 2024
7:00 pm

Performing Arts Events



Westminster’s Performing Arts programs provide a meaningful cultural connection between talented students and the Sugar House community. Enjoy one of the many upcoming performances firsthand, from live theatre to immersive dance ensemble experiences.


alldancemusictheatre
Female dancer against a watery background, deep yellow and brown tones

GLINT 2024: Glisten

October 25
7:00 pm

Sorenson-Fenton Studio, Gillmor Hall

GLINT 2024 – Glisten portrays the multifaceted perceptions of water in various environments, reflecting its beauty, power, and vulnerability as a sustaining resource. Glisten features Utah-based artists as they consider how water shapes our inner and outer landscapes, creating dialogues between moving imagery and fixed architecture.

GLINT is an annual video installation project by the Westminster Dance program that presents original screen dance works by students, faculty, and community artists projected on the architecture and landscape of Westminster’s campus.
GLINT 2024 image - young woman dancing with her arms, watery background

GLINT 2024: Glisten

October 26
7:00 pm

Sorenson-Fenton Studio, Gillmor Hall

GLINT 2024 – Glisten portrays the multifaceted perceptions of water in various environments, reflecting its beauty, power, and vulnerability as a sustaining resource. Glisten features Utah-based artists as they consider how water shapes our inner and outer landscapes, creating dialogues between moving imagery and fixed architecture.

GLINT is an annual video installation project by the Westminster Dance program that presents original screen dance works by students, faculty, and community artists projected on the architecture and landscape of Westminster’s campus.


Faculty Recital Series with two headshots of faculty Griffin Irish and Devin Maxwell

Faculty Recital: Resonant Horizons

October 28
7:30 pm

Emma Eccles Jones Recital Hall, Gillmor Hall

Join us for an unforgettable evening of contemporary music that explores the boundaries of sound and emotion, featuring the innovative works of two visionary composers: Griffin Irish and Devin Maxwell. The evening will feature a selection of both composers' works that employ theater, text, electronics, percussion, and acoustic instruments that test the edges of music. Devin Maxwell’s recent release, “Timebending,” was even said to be “screwing with the whole space-time continuum” by Vanessa Ague on the blog, “The Quietus.”


Clouds and still water behind the title Westminster Chamber Orchestra

Westminster Chamber Orchestra

October 30
7:30 pm

Vieve Gore Concert Hall Emma Eccles Jones Conservatory

Dvořák’s “New World” Symphony

Tonight’s concert features one of the best-known symphonies in the canon, Dvořák’s “New World” symphony, which premiered at Carnegie Hall in December 1893. To say it was an unqualified success would be an understatement. Thunderous applause obligated the composer to stand and bow after each movement. The program also features Canadian composer, Mathieu Lussier’s award-winning composition Bassango – the title neatly sums up the piece: it’s a tango for bassoon! Aequora was written by Icelandic composer María Huld Markan Sigfúsdóttir and is her first composition for orchestra. Its title comes from a Latin word describing the surface of a calm ocean.


Pegsoon Whang smiling with her cello

Faculty Recital: Pegsoon Whang, cello and Emily Williams, piano

November 04
7:30 pm

Vieve Gore Concert Hall Emma Eccles Jones Conservatory

Westminster cello faculty Pegsoon Whang performs a free concert of Bach, Schubert and a new work by Utah composer Steve Roens.

Program:

Johann Sebastian Bach — Suite No. 3 in C Major for unaccompanied cello, BWV 1009 

Steven Roens — Soliloquy for Solo Cello

Franz Schubert — Sonata in A minor for arpeggione and piano, D. 821 

with pianist Emily Williams.


The Moors image - a maid with a feather duster in front of their face

The Moors

November 07
6:00 pm

Jewett Center for the Performing Arts

By Jen Silverman 

Directed by Jared Larkin 

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. 

Jen Silverman’s dark comedy is considered a gothic feminist thriller with tinges of absurdism, interspecies romance, and comedic farce. Themes from the Brontë sisters appear through a contemporary lens while set against the backdrop of 19th century Gothics.


The Moors image - a maid with a feather duster in front of their face

The Moors

November 08
6:00 pm

Jewett Center for the Performing Arts

By Jen Silverman 

Directed by Jared Larkin 

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. 

Jen Silverman’s dark comedy is considered a gothic feminist thriller with tinges of absurdism, interspecies romance, and comedic farce. Themes from the Brontë sisters appear through a contemporary lens while set against the backdrop of 19th century Gothics.


The Moors image - a maid with a feather duster in front of their face

The Moors

November 09
6:00 pm

Jewett Center for the Performing Arts

By Jen Silverman 

Directed by Jared Larkin 

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. 

Jen Silverman’s dark comedy is considered a gothic feminist thriller with tinges of absurdism, interspecies romance, and comedic farce. Themes from the Brontë sisters appear through a contemporary lens while set against the backdrop of 19th century Gothics.


The Moors image - a maid with a feather duster in front of their face

The Moors

November 14
7:30 pm

Jewett Center for the Performing Arts

By Jen Silverman 

Directed by Jared Larkin 

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. 

Jen Silverman’s dark comedy is considered a gothic feminist thriller with tinges of absurdism, interspecies romance, and comedic farce. Themes from the Brontë sisters appear through a contemporary lens while set against the backdrop of 19th century Gothics.


The Moors image - a maid with a feather duster in front of their face

The Moors

November 15
7:30 pm

Jewett Center for the Performing Arts

By Jen Silverman 

Directed by Jared Larkin 

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. 

Jen Silverman’s dark comedy is considered a gothic feminist thriller with tinges of absurdism, interspecies romance, and comedic farce. Themes from the Brontë sisters appear through a contemporary lens while set against the backdrop of 19th century Gothics.


The Moors image - a maid with a feather duster in front of their face

The Moors

November 16
7:30 pm

Jewett Center for the Performing Arts

By Jen Silverman 

Directed by Jared Larkin 

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. 

Jen Silverman’s dark comedy is considered a gothic feminist thriller with tinges of absurdism, interspecies romance, and comedic farce. Themes from the Brontë sisters appear through a contemporary lens while set against the backdrop of 19th century Gothics.


a man walking away with a lantern and his figure disappearing into the night

Westminster Concert Series: Leoš Janáček’s Diary of One Who Disappeared

November 18
7:30 pm

Vieve Gore Concert Hall Emma Eccles Jones Conservatory

Part dramatic song cycle, part miniature opera, Janáček’s The Diary of One Who Disappeared is a singular and unorthodox “diary of poems” that explores themes of obsession, seduction, and escape. Featuring Chris Puckett, tenor, Aubrey Adams-McMillan, mezzo-soprano and Jason Hardink, piano.  Westminster Brass faculty will perform Czech brass quintets by Janáček, Gallus, Filas and Pauer.

Following the performance, please join us for a light reception.

Ripple Effect image - a dancer on a wave of water on a purple background

Fall Dance Concert: Ripple Effect

November 22
7:30 pm

Sorenson-Fenton Studio, Gillmor Hall

Ripple Effect delves into the intricate relationship between humans and water as it shapes our experiences, cultures, and the environment. It features Westminster Dance Company members in original choreography that speaks to reciprocal influence between those we encounter and the impact on environment and experience. The audience is invited to witness the performance “in the round,” underscoring the significance of building community as we highlight the ways in which we are inextricably tied.
Ripple Effect image - a dancer on a wave of water on a purple background

Fall Dance Concert: Ripple Effect

November 23
7:30 pm

Sorenson-Fenton Studio, Gillmor Hall

Ripple Effect delves into the intricate relationship between humans and water as it shapes our experiences, cultures, and the environment. It features Westminster Dance Company members in original choreography that speaks to reciprocal influence between those we encounter and the impact on environment and experience. The audience is invited to witness the performance “in the round,” underscoring the significance of building community as we highlight the ways in which we are inextricably tied.
Hear and Now placeholder image - words with black confetti on a white background

Westminster Concert Series: Hear & Now

February 24
7:30 pm

Vieve Gore Concert Hall Emma Eccles Jones Conservatory

Celebrating its third year commissioning a new work by an emerging composer of color, Hear & Now seeks to build greater understanding and empathy by widening the repertoire that has been generationally limited in classical music spheres. The prize includes a commissioning fee, a professional recording of their new work, travel, and housing costs in Salt Lake City and time to work with students and speak with audiences at the world premiere. This year's call for compositions is for solo piano or solo piano + electronics.


The Oresteia image - a blue-toned centurion with a helmet and a sword

The Oresteia

February 27
7:30 pm

Dumke Student Theater, Emma Eccles Jones Conservatory

Aeschylus' great trilogy of Greek tragedies about the end of the curse on the House of Atreus, The Oresteia comprises Agamemnon, Choephori (Libation-Bearers) and Eumenides (The Furies). 
 
The trilogy was first performed at the Dionysia festival in Athens in 458 BC, where it won first prize. 

Working with the translator, Emilio Casillas will be distilling this trilogy into a 90-minute production.


The Oresteia image - a blue-toned centurion with a helmet and a sword

The Oresteia

February 28
7:30 pm

Dumke Student Theater, Emma Eccles Jones Conservatory

Aeschylus' great trilogy of Greek tragedies about the end of the curse on the House of Atreus, The Oresteia comprises Agamemnon, Choephori (Libation-Bearers) and Eumenides (The Furies). 
 
The trilogy was first performed at the Dionysia festival in Athens in 458 BC, where it won first prize. 

Working with the translator, Emilio Casillas will be distilling this trilogy into a 90-minute production.


The Oresteia image - a blue-toned centurion with a helmet and a sword

The Oresteia

March 01
7:30 pm

Dumke Student Theater, Emma Eccles Jones Conservatory

Aeschylus' great trilogy of Greek tragedies about the end of the curse on the House of Atreus, The Oresteia comprises Agamemnon, Choephori (Libation-Bearers) and Eumenides (The Furies). 
 
The trilogy was first performed at the Dionysia festival in Athens in 458 BC, where it won first prize. 

Working with the translator, Emilio Casillas will be distilling this trilogy into a 90-minute production.


The Oresteia image - blue-toned centurion with a helmet and a sword

The Oresteia

March 06
7:30 pm

Dumke Student Theater, Emma Eccles Jones Conservatory

Aeschylus' great trilogy of Greek tragedies about the end of the curse on the House of Atreus, The Oresteia comprises Agamemnon, Choephori (Libation-Bearers) and Eumenides (The Furies). 
 
The trilogy was first performed at the Dionysia festival in Athens in 458 BC, where it won first prize. 

Working with the translator, Emilio Casillas will be distilling this trilogy into a 90-minute production.


The Oresteia image - blue-toned centurion with a helmet and a sword

The Oresteia

March 07
7:30 pm

Dumke Student Theater, Emma Eccles Jones Conservatory

Aeschylus' great trilogy of Greek tragedies about the end of the curse on the House of Atreus, The Oresteia comprises Agamemnon, Choephori (Libation-Bearers) and Eumenides (The Furies). 
 
The trilogy was first performed at the Dionysia festival in Athens in 458 BC, where it won first prize. 

Working with the translator, Emilio Casillas will be distilling this trilogy into a 90-minute production.


Signature Performances

music performance with piano, stand up bass, and violin, in a packed concert hall

Glint

Glint brings together original dance works by students, faculty, and artists from the community, projected across the architecture and landscape of Westminster’s campus. 
student dancing on campus

Concert Series

The Westminster Concert Series provides cultural enrichment for the Salt Lake community through live music, performed by an extraordinary cadre of local professional musicians. 

Greek Theatre performance on stage

Classical Greek Theatre Festival

The Classical Greek Theatre Festival introduces an appreciation of ancient Greek theatre throughout Utah communities and campuses. 
chamber singers ensemble during practice in the choir room

Music Ensembles

Westminster’s music ensembles range from chamber singers to jazz ensembles to an opera studio and offer students, faculty, and staff the opportunity to engage and perform for the community. 

Host Your Event in the Performing Arts Center

The Westminster Performing Arts Center offers a variety of event spaces available for rent. Catering, AV, and other support is available.

Learn more about event services

Connect with Westminster Performing Arts

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